I spent time this week shooting two very different cameras. I have made more pictures with my Vivitar Ultra-Wide and Slim than with the others in my camera collection with only a couple exceptions. The little plastic point-and-shoot probably doesn't weigh an ounce. It has no adjustments for speed or aperture, and a sharp two-element lens with a 22mm focal length that catches a finger a couple times in each roll of film. The exposure latitude of modern color films like Fuji 200 makes the camera a lot more versatile in regard to varying light conditions than might at first be imagined.
The Kodak Monitor Six-20 was the end of the line for the company's medium format folding cameras that lasted over half a century. It is the most capable of its type with auto frame advance, double-exposure prevention and a parallax correcting view finder. My example has a very reliable Supermatic shutter with a 1/400 top speed and a coated four-element f4.5 Anastigmat Special lens.
The Kodak Monitor Six-20 was the end of the line for the company's medium format folding cameras that lasted over half a century. It is the most capable of its type with auto frame advance, double-exposure prevention and a parallax correcting view finder. My example has a very reliable Supermatic shutter with a 1/400 top speed and a coated four-element f4.5 Anastigmat Special lens.
100% at 1200 dpi |
From one extreme to another
Reviewed by Unknown
on
November 12, 2018
Rating:
No comments: