From one extreme to another

I spent time this week shooting two very different cameras.  I have made more pictures with my Vivitar Ultra-Wide and Slim than with the others in my camera collection with only a couple exceptions.  The little plastic point-and-shoot probably doesn't weigh an ounce.  It has no adjustments for speed or aperture, and a sharp two-element lens with a 22mm focal length that catches a finger a couple times in each roll of film.  The exposure latitude of modern color films like Fuji 200 makes the camera a lot more versatile in regard to varying light conditions than might at first be imagined.





The Kodak Monitor Six-20 was the end of the line for the company's medium format folding cameras that lasted over half a century.  It is the most capable of its type with auto frame advance, double-exposure prevention and a parallax correcting view finder.  My example has a very reliable Supermatic shutter with a 1/400 top speed and a coated four-element f4.5 Anastigmat Special lens.





100% at 1200 dpi

From one extreme to another From one extreme to another Reviewed by Unknown on November 12, 2018 Rating: 5

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